Things must
be getting rough on the bridge. Johnny’s come out swinging and
young Kev is mustering his mates. What was that old song? Ah,
that’s right, “the times they are a changin’”. But how much they
will actually change is yet to be determined and, like that
other well known little ditty, who will be “rearranging the deck
chairs” on good ol’ SS Australia?
There seems
to be a lot of store being put into Kev and Julia’s new stage
play. Starring a stellar cast (so we are told), the pantomime is
about two new comers who, young, reckless and with really
nothing to loose, they set out on a journey with gay abandon
(can I still say that?). Casting aside the script conventions of
the Beasley and Latham school, they strike out, full of pluck
and vigour.
Like a pair
of possessed missionaries, they wandered hither and thither
about the land, spreading the gospel of Labor. They journey into
the lions den and give speeches to rightwing think tanks. They
spread out their meagre rations and sup with the business
leaders. Why, they even feel it necessary to take up their
shields and swords (metaphorically speaking) and go toe to toe
with the shock jocks. Their’s was a restless summer of Labor.
The main plot
twist is that these two new comers take their opportunity while
the old guard take their rest. To unknown destinations the old
guard took flight, leaving behind their worries and cares. After
all, who could blame them. After ten years of raping and
pillaging, they feel safe in their concrete bunkers and well
guarded lairs. To rest and reflect on the bounty they had
accumulated was their intent.
The fattened
and contented looks on their faces, shown in close-up, slo-mo
detail, as they left the halls of power in the final program of
the last season, was meant to bode well for the inhabitants of
this imaginary land. After all, if the lords in their manner are
well fed, surely the citizens should be grateful for the crumbs
that fall from their plates.
It seems, as
this new season starts, that the slovenliness of the old guard
may have begun to unravel their contented repose. The spoils of
power may have weakened their primary senses, their ability to
spin their way out of their mistruths and non-core commitments.
It seems that while the beast slept, the golden haired wonder
boy and his flame locked companion may have got the drop on
them.
As this fairy
tale unfolds, carefully choreographed to conceal the script
re-writes and shonky supporting cast, we look on from the decks
of the good ship SS Australia. This pantomime is something we
find, at various times, amusing, sickening, engaging, boorish,
faddish and more often than not, completely lacking in depth,
sincerity and artistic integrity.
The actors in
this pantomime seem to have forgotten that they, like us, are
fare paying passengers on the journey to the end. The good ship
sails on, never stopping to return to previous ports, never
deviating from its course to goodness knows where. Kev, Jules,
John and the rest of the cast (pity Amanda got dropped from the
new series) tell us that, because they act from a stage closer
to the bridge, we should feel secure they have the captain’s
ear. But I worry.
I seem to
recall the HMS England sometime back in the 1990’s. She too was
sailing through choppy waters. The passengers became so upset
that the pantomime wasn’t keeping their minds off the
seasickness they felt, that they threw the cast and principle
actors overboard. They then hired in a new cast and after the
first season felt they had really hit on a BAFTA winning
combination. But it was not to be. By the third episode of the
second season they realised that the plot had jumped the shark
and it was going to be all down hill from here on in, one boring
night after the other.
Here, on the
good ship SS Australia, some of our cast had been attending
lessons with the English actors. They had been swapping scripts
and supporting cast. They discovered that by combining their
talents they were more likely to win back their key audiences
even if they did loose a few ratings points.
Meanwhile,
the good folks on HMS England and SS Australia were starting to
feel the effects of the chop. While on the surface the scripts
the actors delivered sounded OK, the plot devices based on them
were very poor. The delivery of many of the lines was faultless
but somehow, the audiences knew, deep in their hearts, there was
no sincerity in the delivery.
The previous
pantomime on HMS England had gone on so long the weary
travellers were just glad a new show was on board. It would seem
that on the good ship SS Australia, the passengers are starting
to look for a new show and have grown weary of the same old
lines, set pieces and insincere delivery.
Over the
summer ratings break it seems Kev and Julia might have got the
jump on Howard’s tired run. While the old cast were slumbering
on some beach somewhere, Kev and Julia were holding pre-season
previews, honing their act and smoothing out some of the script
inconsistencies. But I wonder.
I wonder if
the lights on the stage, after the Howard renovations, have
become just a little too bright and hinder the ability of the
actors to connect with their audience. I wonder, if like the
mutiny on the HMS England, that saw the whole cast and crew
turfed over the gunnels, we too are being set up for another dud
run.
Sure, the
costumes are new, the set has had a lick of paint and the script
is easy to follow. But it makes me wonder if those on centre
stage are too caught up with protecting their careers and good
names to be even bothered with long term engagement with their
audiences? Are we, here on the good ship SS Australia, going to
put up with another half hearted botch job of a stage show or
are we going to clear the decks and find a new way to ensure the
journey to our destination is, at least occasionally,
enjoyable.
So, while the
good folks at the production houses fine tune their second acts
and give the new cast members a feature spot every now and
again, is it time we started lining up the deck chairs, for a
quick exit to a much more inclusive sideshow, or are we content
to allow the stage managers to just rearrange them once more?